AUSKRONK!

Welcome to Auskronk.com ! If you are an Austin based musician who performs Improv , Free Jazz, classical , Instrumental or any out there , fringe style of music please contact me Here and we can help promote your shows or events . I hope with this blog artists can get more recognition and we can promote Austin as a city with a unique underground scene.

THE GREAT LEARNING

Austin New Music Co-op Presents Cornelius Cardew's "The Great Learning"

NMC, TCC, and over 60 musicians roll out US premiere of epic avant-garde masterpiece.

NMC Presents: The Great Learning - In Seven Paragraphs

Friday May 6th @ 7:00pm (Paragraphs 1, 2, 3 & 4)

Saturday May 7th @ 6:00pm (Paragraphs 5, 6 & 7)

Central Presbyterian Church

200 East 8th Street

$17 one night / $25 both nights

Advance tickets available now at End of an Ear (http://endofanear.com)

Student and advance tickets discounted to $15 one night / $20 both nights

In Spring of '02, Austin New Music Co-op performed our first large ensemble concert, which was centered around "Treatise," the 193-page graphic score by British composer Cornelius Cardew. On May 6th and 7th of this year, nine years later, NMC is interpreting Cardew's other mammoth masterpiece: "The Great Learning." This epic, immersive piece will be performed over the course of two nights by a cast of more than 60 performers, including chorus, pipe organ, strings, winds, percussion, and more. Witnessing a performance of this piece in its entirety is incredibly rare. Although various excerpts of the seven-part cycle have been performed all over the world since its UK premiere in 1971, we are the first ensemble ever to present a complete performance of "The Great Learning" in the United States. In a planning, production and rehearsal period spanning more than 24 months, NMC has teamed up with conductor Brent Baldwin and his Texas Choral Consort, Line Upon Line Percussion, Central Presbyterian Church, and many other local artists to present this very special event. The second night of our performance falls on Cardew's 75th birthday and will be a true celebration of his life and work. And yes, there will be cake.

Cornelius Cardew's 1970 masterpiece "The Great Learning" is a work in seven parts or "Paragraphs" based on translations of Confucius by Ezra Pound and is composed for trained and untrained musicians. The piece instigated the formation of the experimental musical ensemble The Scratch Orchestra, who also gave "The Great Learning" its premiere. Now, four decades after its completion, Cardew's obsessively constructed 5+ hour composition has become an often recalled and imitated masterpiece of counter-culture avant-garde. The influential piece, one of the earliest pieces to be called "minimalist" by composer/critic Michael Nyman, conjures at once Ligeti's clouds of sound, Webern's pointillism, Reich's phasing cycles, and Cage's conceptual provocations. This feast of varied sound-theater events includes a pipe organ with whistling chorus, cascading waves of percussive sound, loud and soft laughter music, an orchestra of droning contra-basses and large brass instruments, and swirling clouds of a cappella voices. Sadly, a complete presentation of "The Great Learning" is exceedingly rare, due largely to its demands of 50+ performers, several unconventional instruments, a pipe organ, and necessarily open-minded interpreters. We are thrilled to bring Cardew's revolutionary sonic utopia to Austin's new music audience.

About Cornelius Cardew

Cornelius Cardew was born May 7, 1936, in Winchcombe, Gloucestershire, England, and killed in a hit and run automobile accident in London, December 13, 1981. He taught at the Royal Academy of Music in London as well as other schools. With Michael Parsons and Howard Skempton he formed an improvisational ensemble, The Scratch Orchestra, which premiered the entire cycle of The Great Learning. He was active in the seminal chamber ensemble AMM with Eddie Prevost, Keith Rowe, John Tilbury and Christopher Hobbs. Cardew's concern for human rights and economic justice led him into Marxist politics and renunciation of his experimental music during the 1970s. Instead, he pursued popular styles of music-making. At the very end of his life (and after Mao Tse-Tung's death), he appeared to be open to reclaiming aspects of his earlier broad approach to sonic art.

About Austin New Music Co-op

The New Music Co-op is a community of composers and performers dedicated to promoting awareness and understanding of new music. Since 2001, the NMC has presented over 30 concerts featuring over 150 new works, many of them premieres. Notable New Music Co-op concerts have included a commission of a program length work by Berlin-based composer Arnold Dreyblatt, a realization of John Cage's Songbooks, music for the extinct instruments of Luigi Russolo, Pauline Oliveros' Four Meditations for Orchestra (with the composer in attendance), a three-day series of the works of the New York School, Terry Riley's In C, and Ellen Fullman's Long String Instrument performance at Seaholm Power Plant. New Music Co-op members come from highly diverse backgrounds, from classical performance to electronic music to formal composition to rock bands. The group runs by consensus and gains its strength from its members' varied experiences and interests. The New Music Co-op is a 501(c)(3) non-profit organization, and all donations to the group are tax-deductible.

For more information: http://newmusic.coop/

Last Minute Awesome show this SATURDAY !

Nmperign + Jason Lescalleet
Shawn McMillen's Mancat House Band

Saturday, March 5
The Up Gallery at Starving Art Studios
2326 E. Cesar Chavez
Austin, TX
http://www.facebook.com/event.php?eid=187619034610862

$10 suggested donation (no one turned away for lack of $).

The trio of Nmperign [Greg Kelley - trumpet; Bhob Rainey - alto sax] & Jason Lescalleet made its first recorded appearance in 1999 on This is Nmperign's 2nd CD (Twisted Village Records), which was followed immediately by In Which the Silent Partner-Director Is No Longer Able To Make His Point With the Industrial Dreamer (Intransitive Recordings). But it was 2006's double CD Love Me Two Times (Intransitive Recordings), a five-year endeavor encompassing a stunning range of styles, fidelities, and emotions, that solidified this trio's reputation as a genre-crossing juggernaut operating in its own league of contemporary noise, improvisation, and electroacoustic composition. Praise for Love Me Two Times was nearly universal, and it continues to be cited as a benchmark recording in experimental music.

Live performances by Nmperign & Jason Lescalleet are rare but always significant events. Their 2010 performance at Chicago's Neon Marshmallow festival was hailed as "The best of the fest…. left jaws on the floor. Probably in my top 5 favorite performances ever… The triumph of craft and deep listening" (Chris Sienko - Gapers Block). They similarly shook the fillings out of teeth in Glasgow at Instal 06, and in Somerville, MA, at the Brainwashed Festival 2008.

More info:
http://en.wikipedia.org/wiki/Nmperign
http://nmperign.bhobrainey.com/album/love-me-two-times
http://www.intransitiverecordings.com/artists/nmperign/


Also:

Shawn McMillen's Mancat House Band (Carolyn Cunningham & Josh Ronsen): http://mancatrecords.weebly.com/shawn-david-mcmillen.html

The Thing w/ Joe Mcphee

Date:	Sunday, June 27, 2010
Time:	7:30pm - 10:00pm
Location:	Space12
Street:	3121 E 12th Street

$10-$15 sliding scale admission. portion of proceeds to benefit Insidebooks project.

Epistrophy Arts is proud to present one of the most thrilling and exhilirating bands in any genre as we bring our 2010 season to a close on Sunday June 27 with the heavy-hitting Scandinavian group THE THING joined by special guest elder statesman JOE MCPHEE for their "Smoked Meat & BBQ Tour" that finds the band visiting their favorite Southern eating environs - the Smoked Meat Festival in Ville Platte, LA and Ruby's BBQ in Austin, TX - all while burning up southern stages with their take-no-prisoners punk-rock approach to free-jazz.

2 Great Nights

Epistrophy Arts presents 2 explosive evenings of international, adventurous jazz at Austin's Historic Victory Grill.

When: April 28, 29. 8PM
Where: Victory Grill (1104. E. 11th)

April 28: Peter Brötzmann / Hamid Drake Duo
April 29: Kidd Jordan, Hamid Drake, Ingebrigt Håker Flaten Trio

$16 advance tickets available at End of An Ear, Waterloo Records and Trailer Space Records. $20 Door

April is Jazz Appreciation month and Epistrophy Arts offers 2 explosive nights of world-class, international,adventurous improvised music in East Austin's original home for blues and jazz. Kicking off this mini-festival is a duo performance by one of the landmark collaborations in free music, German saxophone legend Peter Brötzmann with Chicago powerhouse drummer Hamid Drake. The sparks will continue to fly the following night when we convene a trio performance with New Orleans jazz patriarch and master Kidd Jordan, Hamid Drake and Austin's own (via Oslo) Ingebrigt Håker-Flaten.

Brotzmann / Drake
This very special engagement will mark the first time that Peter and Hamid have worked together extensively in over five years, and it has been nearly a decade since they toured as a Duo. Their unique bond was at the root of some of the Nineties and early 2000s finest improvised music through projects such as the original line up of the Brötzmann Chicago Tentet, the Albert Ayler tribute project Die Like A Dog, and numerous trios featuring the likes of the legendary Moroccan guembri player Mahmoud Gania, and bassists William Parker and the late Fred Hopkins. Their sole duo release, 1995's The Dried Rat-Dog on Okka Disk, received four stars in both the Penguin Guide to Jazz on CD and The All Music Guide, and is widely regarded as a cornerstone of the Chicago improvised-music resurgence that has garnished the city worldwide attention since the mid-nineties. Simply put, these two masters have affected an entire generation of improvisers all over the world through the unique language that they share, and they are long overdue to re-investigate that dialog.

Jordan / Drake / Haker-Flaten Trio

Epistrophy Arts is proud to present the debut performance of the collaborative trio of Kidd Jordan, Hamid Drake and Ingebrigt Håker-Flaten. Nate Chinen of the New York Times says the legendary Kidd Jordan is "one of a handful of saxophonists of his generation to absorb the breakthroughs of his contemporaries Coltrane and Ornette Coleman, not just as a shock but also as a spur. His technique has the capacity to astonish, especially in the altissimo range. But he works to ensure that the technical takes a backseat to the soulful. " Kidd Jordan's mighty saxophone will soar over the elemental and powerful rhythm section of Drake and Håker-Flaten

Some additional information on the artists:

PETER BRÖTZMANN - Over the course of his forty-plus year career, German saxophonist Peter Brötzmann has never compromised his distinct aesthetics. As one of the true founders of what has become known as European Improvised Music, and through his revolutionary trio of the seventies with Han Bennink and Fred Van Hove, right up to the present day and his continued work with his large ensemble: The Brötzmann Chicago Tentet; he continues to reinvent himself, his music, and the approaches of every artist around him every time he takes the stage. Possessing an instantly recognizable sound that has almost certainly affected every reedist that has ever encountered it, Brötzmann is legendary for reaching climactic heights on whatever instrument he picks up, but he is also the rare improviser equally capable of an original, introspective and near-blues sound. Throughout his storied career, Brötzmann has appeared on well over 150 recordings, and performed all over the world in a myriad of settings with such legendary musicians as Anthony Braxton, Cecil Taylor, Sonny Sharrock, Evan Parker, Misha Mengelberg, Derek Bailey, Peter Kowald, and Alexander von Schlippenbach, to name a select few.

HAMID DRAKE - Chicago's Hamid Drake is one of the most active percussionists working in the field of jazz, world, reggae, and improvised musics today. His unique style on the drum kit, frame drum, and tablas is simultaneously powerful, funky, and emotional; and has been heard all over the world with such singular talents as Don Cherry, Pharaoh Sanders, Archie Shepp, Fred Anderson, David Murray, Henry Grimes, and Ken Vandermark, to name a very few. He is featured on dozens of recordings, many of which find him in the rhythm section with his most consistent and revelatory partner, bassist William Parker of New York. Although he calls the Windy City home, Drake spends most of his time on the road touring with many of the finest ensembles working in jazz and improvised music today.

KIDD JORDAN
The list of bands and artists legendary New Orleans tenor saxophonist and educator Edward ‘Kidd’ Jordan has performed with reads like a 40-year Grammy program--from Ray Charles and Stevie Wonder to Aretha Franklin and the Supremes. And the list of jazz musicians he has performed with is even longer. Today, this innovative, boundary-smashing artist has performed with Sun Ra, William Parker, Alvin Fielder, Hamiet Bluiett, Reggie Workman, David Murray, Alan Silva, Fred Anderson, Ornette Coleman, Archie Shepp, Peter Kowald, Louis Moholo, Sunny Murray, Hamid Drake, Ed Blackwell, and Andrew Cyrille. amassed a discography of over 30 recordings of his own music, and has performed in jazz and music festivals around the world, including France, where he has received the title of Chevalier of Arts and Letters for his contribution to European performing arts. Americans seem to be catching up. Jordan was honored with a Lifetime Achievement Award in June 2008 at the Vision Festival in New York. ‘Kidd’ Jordan was born in Crowley, Louisiana, in 1935 and has spent his entire life in the New Orleans area, resisting the urge to move to a larger metropolis better suited to his avant-garde leanings. He recently relocated to Baton Rouge after Hurricane Katrina devastated his 9th Ward home.
Jordan's view of innovation, based on discipline and introspection, situates itself squarely in the tradition of black American music. As he himself modestly puts it, "Styles are born out of people's technique. When people have enough technique then they can do some things."

http://www.nytimes.com/2008/06/13/arts/music/13visi.html
http://www.npr.org/templates/story/story.php?storyId=91384626

Ingebrigt Håker Flaten (1971) - born in Oppdal, Norway - living in Austin, Texas

Ingebrigt studied Jazz at the Music Consevatory in Trondheim, Norway, from 1992-95 with bassplayer Odd Magne Gridseth. Since '95 he has been a professional musician, refining his sound by touring extensively all over the world with some of the most diverse and important improvisers on the international circuit today. He has participated on more than 100 recordings. Ingebrigt is currently focusing on his work in the Scandanavian ensembles Atomic and The Thing, both of which have energized Austin audiences in recent yearas. He also leads his own quintet and is a member of the bands Free Fall, The Electrics, The Outskirts, Dave Rempis Percussion Quartet, Scorch Trio, Trinity, IPA, Daniel Levin Trio and Atomic Schooldays. Ingebrigt also have ongoing projects with musicians from the undergrounds of Mexico City, New York, Chicago, Austin and Houston. Håker-Flaten represents a special era in Norwegian bass tradition. Inspired by Jimmy Garrison, Richard Davis and William Parker, as well as European bassists such as Barry Guy, Dave Holland and Peter Kowald, he provides an historical continuity of the instrument's tradition, and as such, improvisation. Ingebrigt’s bass playing also draws inspiration and energy from his deep roots in the bustling Norwegian jazz scene. This can be summarized by placing him and his contemporaries in the great lineage of Norwegian progressive jazz musicians that include the famed Jan Garbarek, Arild Andersen and Terje Rypdal, as well as the less well-known pianist, Svein Finnerud, and bassist, Bjørnar Andresen, all of whom were key figures in shaping Norwegian avant garde jazz into the sound we have today.

Today, Ingebrigt Håker Flaten is one of the great ambassadors of the Norwegian sound, carrying this strong tradition further, both musically and geographically. He is constantly pushing and challenging himself, seeking out collaborations that hold a promise to lead to new and unheard territories.

http://www.nytimes.com/2009/04/13/arts/music/13flat.html

This is a sponsored project of the Vortex Repertory Company and is funded and supported by individual contributions and by the City of Austin Through the Cultural Arts Division.

The Gods of Thunder!

PETER BRÖTZMANN (Germany) reeds
HAMID DRAKE (Chicago) drums, percussion

Advance tickets available April 12 at End of An Ear, Waterloo Records, Trailer Space Records and www.epistrophyarts.org
$16 advance, $20 door

Epistrophy Arts is proud to present one of the landmark collaborations in free music in Austin's historic home of blues and jazz.

This very special engagement will mark the first time that Peter and Hamid have worked together extensively in over five years, and it has been nearly a decade since they toured as a Duo. Their unique bond was at the root of some of the Nineties and early 2000s finest improvised music through projects such as the original line up of the Brötzmann Chicago Tentet, the Albert Ayler tribute project Die Like A Dog, and numerous trios featuring the likes of the legendary Moroccan guembri player Mahmoud Gania, and bassists William Parker and the late Fred Hopkins. The one record that they released as a Duo, 1995's The Dried Rat-Dog on Okka Disk, received four stars in both the Penguin Guide to Jazz on CD and The All Music Guide, and is widely regarded as a cornerstone of the Chicago improvised-music resurgence that has garnished the city worldwide attention since the mid-nineties. Simply put, these two masters have affected an entire generation of improvisers all over the world through the unique language that they share, and they are long overdue to re-investigate that dialog.

Some additional information on the artists:
PETER BRÖTZMANN - Over the course of his forty-plus year career, German saxophonist Peter Brötzmann has never compromised his distinct aesthetics. As one of the true founders of what has become known as European Improvised Music, and through his revolutionary trio of the seventies with Han Bennink and Fred Van Hove, right up to the present day and his continued work with his large ensemble: The Brötzmann Chicago Tentet; he continues to reinvent himself, his music, and the approaches of every artist around him every time he takes the stage. Possessing an instantly recognizable sound that has almost certainly affected every reedist that has ever encountered it, Brötzmann is legendary for reaching climactic heights on whatever instrument he picks up, but he is also the rare improviser equally capable of an original, introspective and near-blues sound. Throughout his storied career, Brötzmann has appeared on well over 150 recordings, and performed all over the world in a myriad of settings with such legendary musicians as Anthony Braxton, Cecil Taylor, Sonny Sharrock, Evan Parker, Misha Mengelberg, Derek Bailey, Peter Kowald, and Alexander von Schlippenbach, to name a select few.

HAMID DRAKE - Chicago's Hamid Drake is one of the most active percussionists working in the field of jazz, world, reggae, and improvised musics today. His unique style on the drum kit, frame drum, and tablas is simultaneously powerful, funky, and emotional; and has been heard all over the world with such singular talents as Don Cherry, Pharaoh Sanders, Archie Shepp, Fred Anderson, David Murray, Henry Grimes, and Ken Vandermark, to name a very few. He is featured on dozens of recordings, many of which find him in the rhythm section with his most consistent and revelatory partner, bassist William Parker of New York. Although he calls the Windy City home, Drake spends most of his time on the road touring with many of the finest ensembles working in jazz and improvised music today.

This is a sponsored project of the Vortex Repertory Company and is funded and supported by individual contributions and by the City of Austin Through the Cultural Arts Division.

YXSB

10^th Annual Yeast by Sweet Beast 2010 Line-Up – Preliminary....

A Decade Featuring the Best in Experimental Improv and Outsider Music!!!

....Sat Mar 13^th, 2010....

3 pm to 10 pm

Chain Drive, 504 Willow St (off Red River and Cesar Chavez)

(512) 480-9017

.. ..

Visual projections by Erich Ragsdale

2:45 to 3:15 pm ------------------------------Book of Shadows

3:30 to 4 pm -----------------------------------Chris Petkus

4:15 to 4:45 pm ---------------------Tom Benton ....

5 to 5:30 pm -------------------------Ichi Ni San Shi....

5:45 to 6:15 pm ---------------------Muzak John....

6:30 to 7 pm -------------------------Matt LaComette....

7:15 to 7:45 pm ---------------------Mystery Band ....

8 to 8:30 pm -------------------------Fm Campers ....

8:45 to 9:15 pm -------------------- Telepathic Friend....

9:30 to 10 pm -----------------------Florene....

.. ..

Sun. Mar 14^th, 2010....

4 pm to 2 am

Chain Drive, 504 Willow St (off Red River and Cesar Chavez)

(512) 480-9017

.. ..

Visual projections by Paul Baker

4 to 4:30 pm --------------------------Ether Allen Trio ....

4:45 to 5:15 pm ----------------------Jomo....

5:30 to 6 pm --------------------------Smokey Emery....

6:15 to 6:45 pm ----------------------Brad Andrew (solo sax)....

7 to 7:30 pm --------------------------Night Viking....

7:45 to 8:15 pm ----------------------Seven Inch Stitch....

8:30 to 9 pm --------------------------Clear Spot....

9:15 to 9:45 pm ----------------------Low Red Center....

10 to 10:30 pm -----------------------Static Storm System....

10:45 to 11:15 pm -------------------The Waco Girls....

11:30 to Midnite ----------------------No Mas Bodas....

12:15 to 12:45 am -------------------Lustigovi....

1 to 1:30 am --------------------------Damp Heat

.. ..

Mon, Mar 15^th, 2010....

7 pm to 2 am

Plush, 617 Red River St.

(512) 478-0099

.. ..

Visual projections by Laurel of RecSpec

7 to 7:30 pm ----------------------------Brekekexkoaxkoax....

7:45 to 8:15 pm ------------------------Aaryn Russel Anti-Symmetric....

8:30 to 9 pm ----------------------------Zorch....

9:15 to 9:45 pm ------------------------Mystery Band....

10 to 10:30 pm -------------------------We Aim to Try....

10:45 to 11:15 pm ---------------------Xathax....

11:30 to Midnite ----------------------------------Mystery Band ....

12:10 to 12:40 am ---------------------Skullcaster....

12: 45 to 1:15 am ----------------------Aurora Plastics Company....

1:30 to 2 am ----------------------------ST37!!!!!!!!!!!!!!